Spoiler alert: The Beatles Anthology 2025 Episode 9- what’s new?
By Mike Carrera
Episode 9 of the upcoming Anthology video on Disney+, running 52 minutes, is edited in the same style as the original eight, interspersing separate interviews with George, Paul, Ringo, George Martin, and Neil Aspinall. Most of these interviews were filmed in 1995 (and are available on DVD #5 “Special Features” of the Anthology box set released in 2003 and in several EPKs -Electronic Press kits- sent to the press between 1995 and 1996).
All illustrations in this blog posts are screenshots from the Special Edition DVD from 2003, but the same scenes occur in the new episode 9. © Apple Corps Ltd.
However, Episode 9 includes revealing previously unreleased fragments of those interviews that were shelved for 30 years, for example, when they talk about “Now and Then”), alongside photographs and archival footage of the group, much of it repeated from the first eight episodes, which is unappealing; however there are some previously unseen snippets of footage from the 1969 ‘Get Back’ sessions, a short 8mm color film for a 1964 TV show, and home movies of John from the late seventies. Also included are new segments, in addition to those on the Anthology’s ‘Special Features’ DVD, featuring interviews with all three Beatles together, filmed in June 1994 at Friar Park and at Abbey Road Studios in May 1995.
There are no complete songs, no new improvisations or unreleased songs from ‘The Threetles’ at Friar Park in 1994 that were not already known, except for additional seconds of a couple of them; however, there are dozens of short unseen scenes with original audio from the sessions of the three reunion songs: “Free As a Bird”, “Real Love” and “Now and Then” which we will try to describe as accurate as possible after only seeing it once, before its premiere on November 28 (the first three episodes premiere on the 26th, the next three on the 27th and the last ones on the 28th).
In general terms, Episode 9 of the ‘Anthology’ might seem like a fragmented combination of DVD 5 ‘Special Features,’ using the chapters “Recollections June 1994,” “Compiling the Anthology Albums,” “Back at Abbey Road May 1995,” and “Recording Free as a Bird and Real Love”; some EPKs or press materials from ‘Anthology 2’, ‘3’, and the ‘Anthology Video’; and adding some extra footage from those same interviews with Paul, George, and Ringo. If what you want is to see “The Threetles” jamming together and them sitting back reminiscing without the screen being constantly interrupted by photographs or archive footage, then you should go for DVD 5 ‘Special Features,’ since Episode 9 is the visual narrative of the journey that made the reunion of the three and the ‘Anthology’, possible.
Highlights of Episode 9:
It begins with a short audio collage of studio chats from some sessions, George Martin instructs: “John, could you put your cans on?”, and some previously unheard seconds of the “I Will” session, “A Hard Day’s Night”, among others can be heard.
A previously unseen scene of Ringo and Paul at Abbey Road in May 1995 opens this final episode: Paul jamming on the drums and Ringo sitting up front, looking at the camera, “Are you rolling?” – he asks-, Paul continues playing, and Ringo jokes, “Didn’t I tell you?”
The Threetles at Abbey Road in May 1995 are asked if the ‘Anthology’ series would have been possible in the 1970s, and each offers their opinion on the documentary, which was originally titled “The Long and Winding Road.” This entire sequence is new. Neil explains that he was in charge of the original project, searching the world for as much footage as possible.
Home video of Ringo filming George and Paul, Linda, his wife Barbara, and Olivia is shown more extensively than in Harrison’s film/documentary “Living in the Material World.”
In a separate interview, George laments John’s absence and comments that he would have enjoyed the “chance of being together again,” also confirming that he, Paul, and Ringo resolved their differences.
Previously known footage of Paul rehearsing “Helter Skelter” and “Blackbird” with his acoustic guitar on July 11, 1968, at Abbey Road.
The Threetles reunited with George Martin in the Abbey Road control room listening to “Tomorrow Never Knows” Takes 1 and 3, previously available on the “Special Features” DVD, but with several extra seconds here, particularly when they are exploring the sounds in Take 3. There is also a previously unseen sequence when they are listening the “Golden Slumbers” tape, highlighting an isolation of George and Paul’s vocals, with Harrison commenting, “I don’t remember that harmony”.
Partially new audio of “What You’re Doing,” a previously available alternate take that is interrupted by Paul asking George Martin if his bass sounds like “crap”.
George offers his version of the origin of the idea to complete some unreleased song left by John, relating it to Elvis Presley, whom he at one point considered “including” as a (fictional) “new” member of the Traveling Wilburys after Roy Orbison’s death.
Paul commented during his 1995 solo interview: “What would be good is if we had a third song… and we actually have… it’s called ‘Now and Then,’ but it’s going to need a lot of changes. People are going to have to be very patient with us, and Yoko will have to let us chop it a little bit, but it needs a lot of work, so we’re a little terrified”. Jeff Lynne explained that it was complicated due to time constraints to complete it, so they decided to work on the one they had furthest along in the recordings (“Real Love”).
As if McCartney were predicting the future, he remarked in the same interview that “for any other (group), this will be the end, but with The Beatles, you’ve gotta watch out; they could do it, there’s always a surprise along the line” (That surprise had to wait until 2023).
Near the end, during the interview with the three of them at Abbey Road Studios, Paul commented that they were no longer interested in reuniting as a group because there would be a “hole” on the stage that couldn’t be filled; George interrupted and joked, “Paul and I will do a stadium tour next year,” and Paul returned the joke, saying that what they’d probably do was “wrestle in mud”.
Ringo said they could continue as “Paul, George, and Ringo” but not as “The Beatles”. George closed the series of interviews by saying that “The Beatles would live on forever in the records, books, videos, and in people’s minds… Tomorrow Never Knows”.
Excerpts from the 1994 jam sessions included in the following order throughout Episode 9:
- “Thinking Of Linking”
- “Raunchy” #1 (partially obscured by narration). Warm-up rehearsal/false start. NEW. Seen and heard for the first time.
- “Raunchy” #2
- “Baby What You Want Me to Do”
- “Blue Moon of Kentucky” with previously unseen additional seconds at the end.
- “Ain’t She Sweet”
Unreleased excerpts with original audio from the “Free as a Bird” sessions:
- Paul at piano and George on guitar practicing.
- Harrison at the microphone singing a fragment of the song.
- Paul and George recording the acoustic guitars.
- Paul improvising the ending with George on their acoustic guitars.
- Paul singing “Free as a little… mighty bird” and whistling like a bird.
- George and Paul recording their vocal harmonies and Ringo some drum fills. Paul exclaims “Like a little birdie” and Harrison comments “Did you record that one?”.
Unreleased excerpts with original audio from the “Real Love” sessions:
- Ringo practicing on his drum kit; Paul, George, and Jeff Lynne rehearsing on acoustic guitars.
- Paul singing part of the song during a rehearsal.
- George suggesting acoustic guitar parts and vocal harmonies to Paul.
- Jeff Lynne plays a short excerpt of a vocal track, possibly Paul and George, not audible in the final mix.
- Harrison and McCartney recording the “Looove” harmony.
- Ringo, Paul, and George recording the backing track.
- Paul recording his backing vocals, telling Jeff Lynne that he’s not singing in John’s tone, that he should probably do it in Lennon’s style.
- Harrison recording a guitar solo completely different from the final version (one of the highlights of the whole Episode 9).
- Ringo recording drum fills and Paul on timpani.
- Paul at the piano asks if it’s the “real speed” and George improvises on his banjo parodying “Real Love” singing the lines “It’s the Real Speed, the reaaal Speed” (this segment appears after the “Now and Then” sessions)
Unreleased excerpts with original audio from the “Now and Then” sessions:
- Paul and George rehearsing with acoustic guitars while listening to the demo.
- Paul rehearsing at the piano.
- George suggests finishing “the other one” (Real Love) and leaving this one for next time (which, for him, never came).
Enjoy the restored ‘Anthology 2025’ in audio and video starting November 26 on Disney+. The eight original episodes have been re-edited to 60 minutes, but bits of new visual and audio elements have been included here and there that weren’t in the original versions, such as the sequence where they talk about “How Do You Do It,” which now includes additional material, to give just one example.
All the episodes are dedicated to John and George.









Well. I don’t know what to think. The Beatles Anthology Giveth, and The Beatles Anthology Taketh Away. I don’t think we’re getting a physical release. I don’t know for sure, but my gut is moving towards just a (paid) stream setup.
Is there anything Disney doesn’t own (other than Michael Jackson’s catalogue and the original Mickey Mouse)?
They seem quite invidious. They seem an odd fit with the Beatles. Maybe they’ll bid for ownership of Britain, and we’ll be yo, ho, ho-ing down some mine. The word evil, or something like it, springs to mind.
In this episode 9 some of George Harrison’s comments are priceless.
One example is when George Harrison asked him to deliver a giant teapot to the recording engineers at Abbey Road, and, so they could work longer, George told Mal: ”Wait, I’m going to put some amphets in it for these bast****…”
Aunque esté todo visto… es un detalle precioso que hayan dedicado la ‘Antología’ a John y George
I personally didn’t expect much more then what was on the Anthology Special Disc.
i find i hard to imagine that there wont be a physical DVD/Bluray release of it at some point. everything Beatles sells.
So in other words, it’s a big borefest. We’ve seen most of it before, they’ve cut down the length of the entire Anthology special, and very little new material. Wake me up if something new and interesting happens.
I’ve Got A Feeling that Apple advisors keep stuff held back for future releases to goose the cash register on their investment. Ringo and Paul are at the stage of their lives to say, “what the hell, go-ahead”. After all, once it’s all out, there is nothing more until AI can put together a credible post-Let It Be “what if” album (oh no!) in 10 years at which time when many of us could be in assisted living or we’ll be Only Sleeping for an eternity….
I don’t know what it was like in the US, but here, in the UK, Anthology was shown on ITV, with each episode lasting for an hour. It was when they released the series on video, in 1996, that they expanded it. This expanded version was then what they used to put on the DVD release in 2003. I’m suprised they’ve cut the timings down, given it’s their channel and they can do what they like.
Did this author REALLY have seeing this episode?..
Absolutely.
I also saw Episode 9 at the premiere event organized by Universal Music in Madrid on November 23rd.
As you can understand, after just only one viewing, some specific details might be slightly different, but the overall details Mike Carrera describes are completely accurate.
Where is the ninth episode? I don’t see it on Disney+. I’m in Canada.
Its coming out over 3 days
1, 2 & 3 on the 26th
4, 5 & 6 on the 27th
7, 8 & 9 on the 28th
I think it’ll be out when they put the last episodes out on Friday (28th).
Roger, Hi. No pressure of course, as I know you’re doing this for free, but are you planning to do one of your brilliant breakdowns of the tracks on the Anthology 4 two cd set, in terms of what’s new etc? They’re always incredibly information in terms of what’s on new Beatles products. Many thanks. Ian
Episode 9 was a REALLY enjoyable episode. There are familiar scenes from epks, anthology bonus disc, and Derek Taylor 1996 interviews but they are also outtakes or extended interviews that not have been previously broadcasted. Paul even talked about Now & Then on his farm with Taylor in 1996. I believe this episode was created in parallel to the N&T 12 minute short (you’ll have to judge for yourselves).
I wasn’t expecting much and yet I’m still disappointed…. The whole project feels like a letdown. Anthology 4 is uninteresting and the series…. I mean, do they really think LESS Beatles is better? Each episode is now under one hour with next to no complete songs…. Sure they sound really good now, but it looks UGLY (Have a look at what they did to the All You Need Is Love Broadcast…. Awful.
And this Episode 9? Sure there are exclusive things… But too few and not really interesting.
And to think I kept my Disney+ subscription for THIS….
To me “Beatles” now means outtakes, false starts, fluffs, re-edits, and studio chat. Fascinating stuff if you know the originals intimately, but there’s now more of this stuff than the original releases. Plus, I hate to admit it, but I only listen once or twice (those recent Lennon boxes especially). Someone coming to “Beatles” for the first time has all this half-baked work to contend with. They’re watering their legacy down for money.
And yet…I know people whose first Beatles album was “Anthology 1” back in 1995, and who still are hardcore fans.
There always seems to be a group of complainers who are never satisfied with what is being released and consider almost everything substandard, a rip-off, redundant, or uninteresting. I enjoyed Anthology’s episode 9 immensely. Yes, it had some familiar things in it, but it was well edited and engaging. I also notice and appreciate the better video resolution and sound quality on some of the content both in the series and on the CDs released.
For me, I would prefer the recent releases of the content from the group or its members, as opposed to having nothing. I never feel ripped off for anything that I have bought when I know what to expect. It’s a choice I make to buy or not to buy. (Or in the case of Disney, what or what not to watch.)
I share your sentiment, Wavy.
I don’t think young people are only listening to outtakes, they are mostly listening to the original catologue, remixed or remastered, whatever, it doesn’t matter for them
Honestly, young people – and by that I mean anyone under 40 – do not listen to albums. Most I know don’t even choose the artists they listen to. Mostly, they pick a playlist generated by the streaming platforms, with silly names like “Down Tempo Chill Vibes”. They are typically going along with whatever is fed to them.
If they do explore an artist, all they pay attention to is stream count. This is why Here Comes the Sun, with its billions of streams, is the newly definitive Beatles song. In their estimation, the stream counts are all that matter. Go on Youtube and check out Beatles reactions. The new pecking order of Beatles material is Here Comes the Sun, Don’t Let Me Down, and Let it Be. Those are basically the 3 Beatles songs that exist for younger folks. They are NOT checking out albums, because albums are not really the vehicle for music delivery or consumption.
The big issue with this is the fact that a Kanye West song is Macca’s #1 song by a long mile. Additionally, prior to streaming being a thing, no one was counting plays of Beatles music, so what we oldsters consider canonical hits, based on chart positions and sales, is simply not part of the metrics any longer. It’s all about the streams.
All this being said, the nice thing is that this landscape allows something from a project like Anthology to get more of a chance to rise in ranks and become a “hit”.
As soon as we can accept that music simply doesn’t work the same way we experienced it, the sooner we can understand the decision making at Apple/Disney. They aren’t marketing to old fans. Face it, we are a dying breed. Their job is to make sure that The Beatles are still in the marketplace, and it’s much easier to hype a new project than another remaster. We will always have our sacred cow albums to go back to, but The Beatles, as an entity, are not recording new material, so it’s all gonna be archival releases from here on out.
I don’t know, artists still release albums, playlists come later. The album as a concept still remains. It’s the delivery system that’s wildly different to when these guys recorded. So someone clicking through ‘latest Beatles releases’ on YouTube is confronted with a seriously wonky-ass take on I’ve Just Seen A Face. Maybe you know the original and find it charming but maybe you don’t and you’re possibly left wondering what the fuss was about. There’s no comparison to the mighty alternate versions we have for Strawberry Fields, And I Love Her, etc etc. It just looks like they’ve run out of material. This stuff belongs in the sort of mass data dump they did with the 1963 works, not presented to the mainstream.
i loved the new anthology series. The sound was incredible and the new footage and editing made it a tighter more coherent watch. I also thought the new episode was a fun epilogue to the series and project. The full performances are all over the internet so was fine with these being trimmed. The only negatives for me was some of the “AI style” upscaling, which looked a bit dodgy (whats wrong with sixties footage looking like it’s from the sixties?) and i would’ve liked a couple of new interviews in ep 9 from ringo and paul honouring/remembering George. And i still have the old anthology on dvd if i ever want the elongated version anyway. Would be nice for Anthology 25 to get a blu-ray release though
What did they use on Disney for an aspect ratio, the original 4:3 or cropped to 16:9?
Much was still 4:3, film clips from their motion pictures were 16:9, as were the interviews.
“So what would be the best way to get the kids interested in The Beatles?”
“Well, I would think the best way to really reel them in would be to dangle a nine-hour documentary series in front of them – behind a paywall, obviously.”
“Obviously. This is great stuff. I’m excited already. But presumably you have some cross-marketing ideas? After all, it’s all about the music, right?”
“Of course it is. Again, I think the best approach is to go big. After all, kids love anything challenging. So I was thinking an eight-hour compilation of outtakes with a proven track record of inducing few repeated listens. We already have six hours across three volumes, but that won’t be enough of a challenge for today’s kids. So I propose we add a fourth volume. And then we can focus our marketing on that. After all, what could be more enticing to young minds than the prospect of diving straight into Volume 4 of something of which they have no previous experience at all?”
“Makes sense. Daunting sells. And yeah, after you’ve got them interested with all those hours and hours of documentary, the best way to seal the deal is to direct their young ears towards pretty much the worst recorded output of the band.”
“Well, it’s either that or we release a twelve-inch zoetrope picture disc of The Continuing Story Of Bungalow Bill backed with itself.”
“Woah there, Captain Ideas! Save that one for next year.”
I’d absolutely love to see a brand-new documentary that delves exclusively into The Beatles’ filmed recording sessions, utilizing footage from the following iconic moments:
A Hard Days Night sessions, February 1964
A Day in the Life session, February 1967
All You Need Is Love Rehearsals, June 1967
Hey Bulldog session, February 1968
Blackbird & Helter Skelter Acoustic session, June 1968
Hey Jude session, July 1968
Get Back sessions, January 1969
Free As A Bird session, February/March 1994
Real Love & Now And Then, January/February 1995
Paul McCartney Now And Then session, July 2021
Or better yet, imagine a never-before-seen documentary, carefully curated from the treasure trove of 14 hours of footage gathered during the Anthology sessions. Now that would be something truly special.